>35 



/ 1 



NO PLAYS EXCHANGED. 



JAKEFC3 Edition 

5T PL AY.3 



WOMEN IN WAR 



Price, 15 Cents 



JL U). Pitiero's Plays 

Price, SO gents each 



mA M A 7HN^ Farce in Three Acts. Seven males, five fe- 
t\alI\.Lt\jmj males. Costumes, modern; scenery, not 
difficult. Plays a full evening. I, 

THE CABINET MINISTER mates', ^ine^eniales! 00° 
tomes, modern society; scenery, three interiors. Plays a full evening- 

FIANfYY niPlf Farce in Three Acts. Seven males, four fe- 
1/ Alii/ 1 JL/lv/lv. males. Costumes, modern ; scenery, two inte- 
riors. Plays two hours and a half. 

THE C A V I AI?n fltTPY Comedy in Four Acts. Fourmales, 
lnCUril LURUyULA ten females. Costumes, modern; 
•cenery, two interiors and an exterior. Plays a full evening. 

UIQ Ufil TQF !W flUnFP Comedy in Four Acts. Nine males, 
niiJ nUUdEi 111 Vl\UEiIV four females. Costumes, modern; 
goenery, three interiors. Plays a full evening. 

TLII7 UHRRV UnPQfT Comedy in Three Acts. Ten males, 
HIE. nUDDI nvHwEi nve females. Costumes, modern; 
scenery easy. Plays two hours and a half. 

fpiC Drama in Five Acts. Seven males, seven females. Costumes, 
llVlu modern ; scenery, three interiors. Plays a full evening. 

ff AIW RHT TWTIFITI p lay in Four Acts. Eight males, seven 
mi/ 1 DvlUlllirUli females. Costumes, modern; scen- 
ery, four interiors, not easy. Plays a full evening. 

I FTTY D rama m Four Acts and an Epilogue. Ten males, five 
LtEil 1 1 females. Costumes, modern; scenery complicated. 
Plays a full evening. 

mMAfMQTB ATI? Farce in Three Acts. Twelve males, 
lJm.UK? 1 IY/i 1 Ei four females. Costumes, modern; 
f t all interior. Plays two hours and a half. 



Sent prepaid on receipt of price by 

Salter $. palter & Company 

>. 5 Hamilton Place, Boston, Massachusetts 



WOMEN IN WAR 

A Patriotic Entertainment in One Act 



By 
ESTHER GODSHAW 



BOSTON 

WALTER H. BAKER & CO. 
1918 






& 



; 



Women In War 



CHARACTERS 



The Reader. 
Helen of Troy. 
Cleopatra. 
Joan of Arc. 
Queen Elizabeth. 
Pocahontas. 



Moll Pitcher. 
Marie Antoinette. 
Barbara Frietchie. 
The Red Cross Nurse. 
Columbia. 




Copyright, 1918, by Walter H. Baker & Co. 

AUG 13 1918 



o I 



NOTE 

One of the marked influences of the Great War has been its 
effect upon the position of woman. The necessities of the time 
have called women to serve in many fields in which they never 
worked before. The present conflict is establishing a connection 
between women and war very different from those of other days. 
For woman has always been identified with the wars of the nations 
in some way, whether as cause of the conflict, sharer of battles or 
nurse of the wounded. 

The entertainment outlined here has been planned to show the 
part some famous women have played in war. It should prove 
popular because it is tinged with that spirit of patriotism which is 
permeating all our plans. It is suggested that in preparing it the 
best results will be obtained if the reading of the lines is given to 
one person, the direction of the music to another and the posing of 
the tableaux to a third. If a large " picture-frame " is available, 
the pictures will be much more effective shown in that way. If it 
is not practical to pose the pictures, the subjects suggested here 
could be presented by lantern-slides because they have all been 
treated by famous artists. 



Women in War 



SCENE. — The usual arrangement for exhibiting tableaux 
or any modification of this arrangement as suggested 
in author's note. The Reader stands at the right of 
the platform or frame, as the case may be. The 
programme begins with music; "Auld Lang Syne " or 
any other popular air of similar suggestions should 
precede the Prologue. At the close of this selection 
the reading begins. 

PROLOGUE 

Reader. 

In Mars' great game it is the man 
Who dons the belt and gun, 
Yet woman, too, has played a part 
And helped in victories won. 

There's lovely Helen whose beauty rare 

The heart of Paris did ensnare 

And caused the Fall of Troy. 

There's Cleopatra, Queen of Nile, 

Whose charms Marc Antony did beguile 

Until his doom was sealed. 

There's English Bess whose haughty pride 

Her Spanish suitor's patience tried 

Until his ships were sunk. 

When mighty France lay stricken sore, 

Her banner white a maiden bore, 

The fair Joan of Arc. 

There's Marie Antoinette of France 

Whose love for frolic and for dance 



WOMEN IN WAR 

Helped launch a bloody fray. 

There's Pocahontas, Indian maid, 

Who braved the red chiefs, unafraid, 

To save bold Captain Smith. 

There's Moll Pitcher who fired the gun 

That made the British soldiers run 

In Revolution days, 

And Barbara Frietchie whose loyal breast 

Cherished her flag, though all the rest 

Had lowered their colors fair. 

Now these women we will show 
Who swayed the nations long ago. 
We'll draw the curtain of the Past 
To see the spell by beauty cast. 

THE TABLEAUX 
(Before each picture there should be the reading of the 
lines and a bit of appropriate music which continues 
softly during the showing of the picture. The 
pictures may represent the heroine alone or in a 
group. Unless the posing of the pictures is in the 
hands of an experienced person, it woidd be advis- 
able to use only one person in each picture.) 

TABLEAU I 

HELEN OF TROY 

(Music — Any familiar classical selection, such as 
" Meditation," from Thais, or " To the Spring," by 
Grieg. ) 

Reader. 

" No wonder such celestial charms 
For nine long years have set the world in arms. 
What winning graces, what majestic mien ! 
She looks a goddess and she moves a queen. 
Yet hence, oh Heaven, convey that face 
And from destruction save our Trojan race." 

(Pope.X 



WOMEN IN WAR 



(In case the lady who represents Helen does not feel 
able to justify this denotement of the character in 
her personal appearance, the following lines may be 
substituted.) 

" Small blame is theirs, if both the Trojan knights 
And brazen-mailed Achaians have endured 
So long so many evils for the sake 
Of that one woman. She is wholly like 
In feature to the deathless Goddesses. 
So be it, let her, peerless as she is, 
Return on board the fleet, nor stay to bring 
Disaster upon us and all our race." 

(Helen at the Scaean Gate. Iliad III.) 



TABLEAU II 

CLEOPATRA 

(Music—" Celeste Aida," Verdi.) 
Reader. 

" Egypt, thou knew'st too well 
My heart was to thy rudder tied by the strings, 
And thou shouldst tow me after : o'er my spirit 
Thy full supremacy thou knew'st, and that 
Thy beck might from the bidding of the gods 
Command me. You did know how much 
You were my conqueror; and that 
My sword, -made weak by my affection, would 
Obey it on all cause." 

(Shakspere — Antony and Cleopatra. 
Antony speaks.) 



TABLEAU III 

JOAN OF ARC 

(Music— " Characteristic Songs and Dances of All 
Nations," Brown and Moffat^ Price $2.00, gives 
many appropriate selections. ) 



WOMEN IN WAR 

Reader. 

" The morn was fair 
When Rheims reechoed to the busy hum 
Of multitudes for high solemnity 
Assembled. The maid bore on high 
Her hallowed banner to the sacred pile 
And fixed it on the altar, whilst her hand 
Poured on the monarch's head the mystic oil — 
Then placed on Charles' brow the crown of France 
And back retiring, gazed upon the king one mo- 
ment, 
Quickly scanning all the past, 
Till, in a tumult of wild wonderment, 
She wept aloud. 

Thus the maid redeemed her country. 
Ever may the All-Just give to the arms of freedom 
Such success. 

(" The Crowning of the King." 
Robert Southey.) 



TABLEAU IV 

QUEEN ELIZABETH 

{Music — English Morris Dance, Price, $1.00.) 

Reader. 

When Elizabeth in England ruled 
Her many suitors she often fooled, 
But most of all, Philip of Spain 
Who sought her fickle hand in vain. 

While she played the royal flirt 
Spain's fortunes in Holland she did hurt. 
Her sailors captured the Spanish gold 
Till Philip sent the Armada bold. 

You know well the heroic story — 
Thus was begun England's naval glory. 



WOMEN IN WAR 9 

TABLEAU V 

POCAHONTAS 

(Music— One of Cadman's Indian Love-Lyrics, Price, 
$1.00.) 

Reader. 

"Who will shield the fearless heart? 
Who avert the murderous blade ? 
From the throng with sudden start 
See, there springs an Indian maid. 

" Ouick she stands before the knight. 
' Loose the chain, unbind the ring. 
I am daughter of the King 
And I claim the Indian right.' " 

(W. M. Thackeray.) 

TABLEAU VI 

MOLL PITCHER 

(Music— "America." ) 

Reader. 

" Next day, on that field so hardly won, 
Stately and calm stands Washington, 
And looks where our gallant Greene doth lead 
A figure clad in motley weed— 
A soldier's cap and a soldier's coat 
Masking her woman's petticoat. 
He greets our Molly in kindly wise 
He bids her raise her tearful eyes. 
And now he hails her before them all 
Comrade and soldier whate'er befall. 
' And since she has played a man's full part, 
A man's reward for her loyal heart, 
And Sergeant Molly Pitcher's name 
Be writ henceforth on the shield of Fame.' ' 

(Laura E. Richards.) 



10 WOMEN IN WAR 

TABLEAU VII 

MARIE ANTOINETTE 
(Music — "La Marseillaise " — The air of the Revolution.) 

Reader. 

When the starving French asked for bread 
Said the foolish queen, " Give them cake instead." 
Twas just such folly and ignorance 
Brought red Revolution to the realm of France. 

You know her lovely hair turned gray, 
She saw her King and her Prince led away. 
Her native land joined Britain in costly war 
That carried Revolution's torch afar. 



TABLEAU VIII 

BARBARA FRIETCHIE 
(Music — " The Star Spangled Banner.") 

Reader. 

" She leaned far out on the window sill 
And shook it forth with a royal will. 

" ' Shoot, if you must, this old gray head, 
But spare your country's flag/ she said. 

" ' Who touches a hair of yon gray head 
Dies like a dog. March on,' he said." 

(J. G. Whittier.) 

TABLEAU IX 

THE RED CROSS NURSE 

(Music— " The Battle Hymn of the Republic") 

Reader. 

It is hard to tell in one short verse 

The glorious role of the Red Cross Nurse. 



WOMEN IN WAR II 



She smooths the pillows of lads who fight, 
Who offer their lives to maintain what's right. 
And as we see her, let us recall 
Clara Barton, the first of all. 



TABLEAU X 

COLUMBIA 

(Music — " Columbia, the Gem of the Ocean.") 

Reader. 

Columbia disdains to fight 
But once she dons her armor bright 
She will not leave the battle's fray 
Until the Stars and Stripes hold sway. 

TABLEAU XI 

ENSEMBLE FINALE 
(All the heroines) 

(Music — Medley of National Airs.) 
Reader. 

Now these women we have shown 
Who swayed the nations long ago. 
We've drawn the curtain of the past 
And shown the spell by beauty cast. 



Two New Prompt Books 

Edited by 
GRANVILLE BARKER 



THE WINTER'S TALE 

By William Shakespeare 

An acting edition with a producer's preface by Granville Barker 

With Costume Designs by Albert Rothenstein 
As produced by Lillah McCarthy at the Savoy Theatre, London 

An admirable stage version of this play suitable for school performance, 
if desired, under simplified conditions as to scenery. Mr. Rothenstein's 
illustrations contain many helpful suggestions as to costuming. 
Price, 2J cents 

TWELFTH NIGHT 

By William Shakespeare 

An acting edition with a producer' s preface by Granville Barker 
With Illustrations and Costume Designs by Norman Wilkinson 
As produced at the Savoy Theatre, London, by Lillah McCarthy 

Uniform in appearance and style with the abqye and similarly helpful 
for performance by amateurs as well as by professional talent. 
Price, 25 cents 

Mr. Barker's " producer's prefaces " are a trial step in the direction of 
providing less experienced actors and managers of the great plays with 
the results of an expert consideration of them from an acting standpoint. 
Like Miss Fogeity's admirable work in connection with the five plays 
listed elsewhere, they are designed not merely to answer the questions 
that must arise but to put the inexperienced producer into such a relation 
with the text that his own intelligence will be able to cope with his prob- 
lem without help or suggestion. One learns how a man like Mr. Barker 
approaches a play with the idea of staging it, and so how another may do 
the same thing. In this they will be seen to be truly and genuinely 
educational as well as merely helpful. 



Sent postpaid by mail on receipt of price 

Walter H. Baker & Co., 5 Hamilton Place 

BOSTON. MASS. 



A FOUL TIP 

A Comedy Drama in Three Acts 
By Charles S. Allen 
Seven males, three females. Costumes, modern ; scenery, one exterior 
scene, not changed. Plays two hours. The safe at Irving's factory is 
robbed and three persons are under suspicion, which finally settles most 
strongly on Verne Gale, the hero, who, to protect Hal Irving, old Irving's 
son, whom his sister Nellie loves and whom he believes to be the real cul- 
prit, keeps his mouth shut save for protesting his own innocence. 
" Uncle " Tim Purdy is loyal to him and, with the aid of Pete Adams, the 
colored pitcher of the Westvale nine, finally discovers the real culprit. A 
strong play with unusual strength and variety of character and abundance 
of humorous lines and incidents. Very highly recommended. 
Price, 25 cents 

CHARACTERS 
Tim Purdy, postmaster, chief of police and storekeeper at Westvale, 
Hiram Rowell, the village expressman. 
Oliver Irving, manufacturer. 
Harold Irving, his son. 
Verne Gale, manager of the Westvale nine. 
Pollard, Irving s bookkeeper. 
Pete Adams, colored pitcher on the Westvale nine. 
Almira Purdy, Tim s wife. 
Mabel Remington, Irving s stenographer. 
Nellie Gale, Verne s sister. 

Members of the ball team, villagers, etc, 

DADDY 

A Comedy in Three Acts 

By Lilli Huger Smith r 

Four males, four females. Costumes, modern ; two easy interiors. 
Plays an hour and a half. Mr. Brown exhausts all the resources of 
science, including smallpox and diphtheria signs, in an endeavor to keep 
away the admirers of his daughter whom he wishes to keep at home. He 
finally asks Dr. Chester, who is privately in love with her, to help him to 
dissuade her from becoming a trained nurse. The doctor does so by 
marrying her himself. Very clever and amusing; full of wit and of high 
tone. Strongly recommended. 

Price, 25 cents 

CHARACTERS 

Mr. Wrexson Brown, just like his fellow men. 

Teddy Brown, his son, pursuing football at college. 

Paul Chester, a young doctor. 

Thompson, the Browns butler. 

Mrs. Wrexson Brown, just like her fellow women. 

Nellie Brown, her daughter, a debutante. 

Mrs. Chester, Mr. Brown s sister, pursuing ill-health at home* 

Iane, the Browns' cook., 



THE FIRST LADY OF THE LAND 

A Play in Four Acts 
By Charles Frederic Nirdlinger 
Eleven male, eight female characters, and supers. Costumes, early 
American. Scenery, three interiors. Plays a full evening. This charm- 
ing comedy, well remembered for the delightful performance of its. leading 
part by Elsie Ferguson, is peculiarly well suited for school performance 
since its witty lines and lively incidents relate a story of American history 
and involve the personalities of Aaron Burr, James Madison, Alexander 
Hamilton and the charming Dolly Madison. For this reason and for its 
dramatic interest and Rvalue it is strongly recommended. Amateurs may 
produce it on payment of a royalty of $25.00. 
Price, Jo cents 

CHARACTERS 

James Madison, Congressman from Virginia ; afterwards Secretary of State in 
Thomas Jefferson's cabinet. 

Aaron Burr, Senator from New York ; afterwards Vice-President of the 
United States. 

Bohlen Pinckney, the President's Secretary. 

Sir Anthony Merry, British Minister at Washington. 

Don Carlos Martinez, Marquis D'Yrujo, Spanish Minister at Wash- 
ington. 

Mynheer Van Bebckel, Minister from the Netherlands. 

Louis Andre Pichon, Charge rf' Affaires for France. 

Jennings, servant at Dolly Todd's ; later at Madison's. 

De Vaux, Major-Domo at White House. 

The Cook. 

The Hair-dresser. 

Dolly Todd, afterwards Mrs. James Madison. 

Sally McKean, afterwards Marchioness D' Yrujo. 

Mrs. Sparkle. 

Sophia Sparkle, her daughter ; afterwards Madame Pichon. 

Lady Merry. 

The Honorable Ena Ferrar, Lady Merry's sister. 

Vrou Van Berckel. 

Minister From: Russia and ~) 

Countess Dashkoff V Silent figures \in Act III. 

Minister From Turkey ) 

Clotilde, maid at Dolly Todd's. 

Footmen, Valets, Servants, Etc. 

THE ARRIVAL OF KITTY 

A Farce in Three Acts 
By Norman Lee Swartout 
Five male, four female characters. Costumes, modern ; scenery, one 
interior. Plays a full evening, A piece in the " Charley's Aunt " class. 
Bobbie Baxter, pursuing his little love-affair with Jane against the opposi- 
tion of her uncle, William Winkler, has occasion to disguise himself in 
female costume, and is taken for Kitty, an actress and close friend of 
Winkler, to the vast confusion of everything and everybody. Very funny 
and strongly recommended. Has been played professionally over two 
thousand times and may be produced by amateurs for a royalty of #10.00. 
Price, jo cents 

CHARACTERS 

William Winkler. Ting, a bell-boy. 

Aunt Jane, his sister. Sam, a colored porter. 

Jane, his niece. Kitty, an actress. 

Bobbie Baxter. Suzette, Aunt Jane's maid* 

Benjamin More. 



DIALOGUES AND ENTERTAINMENTS 

For Grammar Grades 
Thirteen new dialogues and nine entertainments for grammar grades, 
including a few items for younger children. Written by an experienced 
teacher. Price, 25 cents 

CONTENTS 



The Dollies' Fortune. For 3 little girls. 
A Gift to Santa Claus. For 3 little 

girls. 
The Monomaniacs. ror3gir!s. 
A Wily Salesman. For 1 boy and 2 

girls. 
Escaped From the Zoo. For 3 boys 

and 1 girl. 
The Little Stars. For 1 larger and 2 

smaller girls. 
The S. I. M.'s. For 3 boys and 3 girls. 
Mrs. Webster's Address. For 1 boy 

and 2 girls. 
Aunt Patience's Umbrella. For 1 boy 

and 3 girls. 
The Dog, the Cat, and the Rat. For 3 

little boys. 
The Aqua Marina Panacea. For 9 

large girls. 
The Three Jacks. For 3 boys. 
Answer — A Charade. For 1 boy and 

1 girl. 



The World's Work. For 8 boys. 
Half an Hour With a Giant. Any 

number of boys. 
A CARNIVAL OF DATS. 

May Day. For 17 little girls. 
Memorial Day. For 6 boys and 12 

girls. 
The Fourth of July. For 15 boys 

and chorus. 
Christmas. For 11 boys and 8 girls. 
St. Valentine's Day. For 9 girls. 
A Dream of the Centuries. For 12 

boys and 6 girls. 
Mademoiselle's Christmas Gifts. For 

1 boy and 8 girls. 
America's Birthday Party. For 9 girls. 
Tell-Tale — Charade. For 9 boys and 9 

girls. 
Buoyant— Charade. For 5 boys and 2 

girls. 
Dotage— Charade. For 5 boys and 6 
girls. 



DRILLS AND 



ENTERTAINMENTS FOR 
CHILDREN 



Thirteen pretty and picturesque entertainments, published complete 
with diagrams and music, and full instructions for proper production. 
Price, 25 cents 

CONTENTS 



A Billiken Frolic. For 8 boys. 

Teddy Bear and Johnny Bear. For 8 

small boys. 
*' Nid Nid Nodding." For any number 

of little children from three to six. 
The Workers. For 12 boys. 
A Pop-Corn Ball. For 8, 12 or 16 girls, 

twelve or thirteen years of age. 
Highland Echoes. For any even num- 
ber of boys. 
A Yard of Dandelions. For 11 little 
girls. 

The incidental music for " A Billiken Frolic" is published separately 

and can be supplied in sheet music form. 

Price, jo cents 



Juvenile Fantastics. For an equal 

number of girls and boys from six to 

nine years old. 
The Butterfly. For any number of 

primary pupils. 
The Soap Bubble Drill. For 16 girls. 
The Tennis Drill. For 16 girls. 
The Harvesters. For 8 boys and 8 girls. 
The Bread and Milk Drill. For 10 

children, boys and girls. 



BAKER'S TEMPERANCE DIALOGUES 

Humorous, Dramatic and Instructive 
Price, 25 cents 

CONTENTS 

A Drop Too Much. 4 males, 2 females. Seeing the Elephant. 5 males, 2 fe« 

A Little More Cider. 5 males, 3 fe- males. 

males. The Tempter. 3 males, 1 female. 

The Man With the Demi-John. 4 We e All Teetotallers. 4 males, 2 fe» 

males. ma. is. 



JL W. Pinero's Plays 

Price, SO 0e ite each 



Min CU ANNE I Pla y in Four Acts> Six males » fiT e females. 
lTIll/'VOAnilEiLi Costumes, modern; scenery, three interiors. 
Plays two and a half hours. 

THE NOTORIOUS MRS. EBBSMITH 53™"§$K 

males, five females. Costumes, modern; scenery, all interiors. 
Plays a full evening. 

Tlip PROFIIPATF Pla y in Four Acts. Seven males, five 
IOC I IW/iLilvifi 1 £i females. Scenery, three interiors, rather 
elaborate ; costumes, modern. Plays a full evening. 

THE ^rUnni MIQTDEQQ Farce in Three Acts. Nine males, 
IflEi dlOUULlTUO llVCdO seven females. Costumes, mod- 
ern; scenery, three interiors. Plays a full evening. 

THE SECOND MRS. TANQUERAY gg t ta ,E5S, A S5; 

females. Costumes, modern; scenery, three interiors. Plays a 
full evening. 

QWFFT T AVENmER Comedy in Three Acts. Seven males, 
O VI £•£• 1 Lin. V EiDi/EiiY four females. Scene, a single interior, 
costumes, modern. Plavs a full evening. 

THE THITNnERRfll T Comedy in Four Acts. Ten males, 
IOEj lnUllULrvDULl nine females. Scenery, three interi- 
ors; costumes, modern. Plays a full evening. 

THE TIMF^ Comedy in Four Acts. Six males, seven females. 
IOC HlHI-iO Scene. a single interior ; costumes, modern. Plays 
a full evening. 

THE WE A ITER <JEY Comedy in Three Acts. Eight males, 
lOEi TT Ej/\IVEiI\ JLA eight females. Costumes, modern; 
scenery, two interiors. Plays a full evening. 

A WIFE WITHOUT A SMILE F?ve males, four females! 
Costumes, modern ; scene, a single interior. Plays a full evening. 



Sent prepaid on receipt of price by 

Salter $. Pafeer & Company 

No. 5 Hamilton Place, Boston, Massachusetts 



LIBRARY OF CONGRESI 

Ulil 

011 429 095 6 

%ty TOPttam barren Cfcitton 
of $laps 

ftorite, 15 <ffcntj6f <«Bacl> 



A^ TAfT I IITF IT Comedy in Five Acts. Thirteen males, four 
&*J IWU L,ln.Li II females. Costumes, picturesque ; scenery, va- 
ried. Plays a full evening. 

CAM II I F Drama in Five Acts. Nine males, five females. Cos- 



tumes, modern ; scenery, varied. Plays a full evening. 

INfiOMAl? Play * n Five Acts. Thirteen males, three females. 
UlUviUiiA Scenery varied ; costumes, Greek. Plays a full evening. 

MA BY STUART Tragedy in Five Acts. Thirteen males, four fe- 
111 AIM JIUAAl males, and supernumeraries. Costumes, of the 
period ; scenery, varied and elaborate. Plays a full evening. 

THE MERCHANT OF VENICE SSSSfSSSSASS: SSSS; 

picturesque ; scenery varied. Plays a full evening. 

HlfHFT IFfT Plav in Five -A-c* 8 - Fifteen males, two females. Scen- 
WSvilLL^ILU ery elaborate ; costumes of the period. Plays a full 
evening. 

THP RIVAI ^ Comedy in Five Acts. Nine males, five females. 
llily Hi T ALiiJ Scenery varied; costumes of the period. Plays a 
fall evening. 

SHE STOOPS TO CONQUER S5SS&S £2>£%J%Z 

rled ; costumes of the period. Plays a full evening. 

TWELFTH NIGHT; OR, WHAT YOU WILL ST^HIS: 

three females. Costumes, picturesque ; scenery, varied. Plays a 
full evening. 



Sent prepaid on receipt of price by 

Walttv $, 'BaSer & Compan? 

Ho. 5 Hamilton Place, Boston, Massachusetts 

*. J. PARKHILL ft CO., PRINTERS. BOSTON. U.S.A. 



